Frijsenborg is one of Denmark's most remarkable estastes. The impressive main building was designed between 1859 and 1867 by one of Denmark's leading architects, Ferdinand Meldahl, for Count C. E. Krag-Juel-Vind-Frijs. The Frijsenborg manor, the result of the conversion of a more modest Baroque-period house, was built in a period when Danish estates enjoyed great wealth and influence. Their prosperity caused a boom in the building of manors on a scale unseen since the heyday of the nobility in the Renaissance. Architects of the era found inspiration for conversions and new buildings from the architecture of the Renaissance. Frijsenborg manor epitomises this Renaissance Revival. Today Frijsenborg is an office of farming and forestry company.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.