Torkilstrup Church was built of hewn fieldstone rather than brick, indicating it is one of the oldest churches on the island from before 1160. The western part of the chancel and the nave from the Romanesque period are built of hewn fieldstone with a few limestone trimmings. Rounded-arch friezes, sometimes with ornamental lilies, decorate the north and south walls of the nave, indicating an early design. The round-arched south door is still in use while the north door is bricked up. In addition to the Romanesque window in the chancel, there are traces of Romanesque windows in the nave's north wall. The extension of chancel possibly occurred as early as the 14th century but could have been during the Late Gothic period when the tower and porch were added. One of the bells in the tower is dated 1491.
The low Romanesque chancel arch was probably adapted when cross-vaulting was added to the nave in the Gothic period. Traces of frescos from the second half of the 15th century have been found in the vaults. The altarpiece (1650) is the work of Jørgen Ringnis, as is the pulpit (1640). The altar painting (1840) is by Lucie Marie Ingemann, depicting the Bible story Suffer the little children to come unto me. An Early Gothic crucifix from c. 1300 hangs in the church. B. S. Ingemann's father, Søren Ingemann, is buried under the floor in the west section of the nave. The almost barrel-shaped Romanesque font of sculpted granite has a rope-shaped rim.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.