Grestain Abbey (Abbaye Notre-Dame de Grestain) was an 11th century Benedictine monastery. Closely associated with the family of William, Duke of Normandy, the abbey was instrumental in the Normans taking control over the Catholic Church in England in the centuries following the Norman Conquest of England, establishing new churches and priories in England, and Abbots of Grestain ordained many English priests. Many churches mentioned in the Domesday Book cite Grestain as the founding establishment.
The Abbey was founded in 1050 by Herluin de Conteville and his wife Arlette, mother of William the Conqueror. Herluin, a victim of leprosy, was said to have seen a vision of the Blessed Virgin Mary who told him to take a spa treatment at the source of the Carbec stream in Grestain (Carbec meaning 'the Stream of Kari'). Cured, he decided to build an abbey in the nearby Valley of Vilaine dedicated to the Virgin and a chapel at Carbec, a site also dedicated to the healing spring of Saint-Méen. Herluin's son, Robert de Mortain, half-brother of William, was the principal benefactor, endowing it with his revenues from England.
In 1358, the abbey was sacked by the Anglo-Navarrais. The monks took refuge at their safe house in Rouen, in the parish of Saint-Eloi. Between 1364-1365 the abbey was attacked once more. On the return of the monks, the abbey had been partly destroyed and nearly rased to the ground.
The abbey was officially closed in 1757 on the orders of the bishop. The church buildings were demolished around 1766 and the rest of abbey destroyed in 1790; of these buildings, only a few ruins remain, integrated into the Château de La Pommeraye (a private property): a defensive wall, a 13th-Century portal, an 18th century manor with a 13th century floor, and remains of the church.A monunment has been erected to the memory of the founders who were buried in the now defunct church: Arlette, Herluin and Robert de Mortain, as well as Robert's wife, Mathilde de Montgomerie, daughter of Roger de Montgomerie.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.