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Founded: 1150Category: Religious sites in France
Historical period: Birth of Capetian dynasty (France)
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Established in 1150 by Galéran IV, the count of Meulan, Valasse Cistercian abbey (L’abbaye Notre-Dame du Vœu) has seen much during the history: two pious vows and a lively foundation, the arrival of the 'white monks', the hundred Years' War, the nomination of abbots by the King of France, the French Revolution, the destruction of the abbey church, the transformation of the abbey into a stately manor, its use first as a spinning mill and then as a dairy and finally its purchase by the town of Gruchet-le-Valasse and its registration in the Supplementary Inventory of Historic monuments.
The abbey, which since the 18th century looks like a manor house, retains two 12th-century rooms. Under the old Cistercian vaulted ceiling dating from the 16th century, Auberge de l'Abbaye proposes cuisine inspired by the Slow Food movement. The park and the large rooms also make it possible to host seminars and corporate events in an extraordinary setting. Le Valasse Abbey also proposes fun, cultural, family and sporting events year round.
References:Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.