La Trappe Abbey is the house of origin of Reformed Cistercians or Trappists, to whom it gave its name. It began as a small oratory chapel to the Virgin Mary, built in 1122 by Rotrou III, Count of Perche, as a memorial to his wife Matilda (n illegitimate daughter of Henry I, who drowned in the White Ship disaster of 1120). A few years later Rotrou built a monastery adjoining, which he offered to the monks of Le Breuil-Benoît Abbey near Dreux, a house of the Order of Savigny. The order was highly respected at that time for its fervour and holiness.
In 1140 the monastery of La Trappe was raised to the status of abbey. In 1147 Savigny Abbey, with all its affiliated monasteries, was united to the Cistercian Order. From that time onwards, La Trappe was a Cistercian abbey, immediately subordinate to the abbot of Clairvaux.
After years of prosperity, La Trappe suffered during the Hundred Years' War. It was in the path of both the English and French armies. The monks were forced to abandon the monastery, which was burnt and pillaged in 1376 and again in 1465. In the 16th century, after the reconstruction, the abbey, in common with many other monasteries, was given to a series of absentee abbots in commendam. The lack of leadership depressed its fortunes.
The 14th commendatory abbot, installed in 1662, Armand Jean le Bouthillier de Rancé, godson of Cardinal Richelieu, proved to be La Trappe's greatest leader. De Rancé experienced a religious conversion which led him to take his responsibilities seriously. He became abbot in fact as well as in name. From 1664 La Trappe was the centre of a thorough reform of the Cistercian Order, led by de Rancé. The reform movement took the name of the abbey and became renowned as an order.
The abbey did not escape the general fate of religious houses under the French Revolution. Pursuant to the decree of 13 February 1790 against the religious orders of France, the abbey was suppressed. Some of the monks were martyred. Others, under the then-abbot, Dom Augustin de Lestrange, went into exile, initially at La Valsainte Charterhouse in Switzerland. The French government sold the abbey as national property. Dom Augustin purchased the property in 1815. When the community returned, the brothers found the premises in a ruinous state. They had to rebuild the monastery in its entirety. The new church was consecrated on 30 August 1832.
The abbey's reputation as a place of retreat continued. It attracted both the Count of Artois, afterwards Charles X and Louis Philippe in 1847. In 1880 the Trappists were expelled under French laws against religious institutions, but after a couple of years, they were able to return. The monastery was entirely rebuilt and the new church was consecrated in 1895.
The Neo-Gothic abbey buildings are still occupied by the Trappist community. La Trappe Abbey directly supervises four other Trappist houses.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.