La Trappe Abbey is the house of origin of Reformed Cistercians or Trappists, to whom it gave its name. It began as a small oratory chapel to the Virgin Mary, built in 1122 by Rotrou III, Count of Perche, as a memorial to his wife Matilda (n illegitimate daughter of Henry I, who drowned in the White Ship disaster of 1120). A few years later Rotrou built a monastery adjoining, which he offered to the monks of Le Breuil-Benoît Abbey near Dreux, a house of the Order of Savigny. The order was highly respected at that time for its fervour and holiness.
In 1140 the monastery of La Trappe was raised to the status of abbey. In 1147 Savigny Abbey, with all its affiliated monasteries, was united to the Cistercian Order. From that time onwards, La Trappe was a Cistercian abbey, immediately subordinate to the abbot of Clairvaux.
After years of prosperity, La Trappe suffered during the Hundred Years' War. It was in the path of both the English and French armies. The monks were forced to abandon the monastery, which was burnt and pillaged in 1376 and again in 1465. In the 16th century, after the reconstruction, the abbey, in common with many other monasteries, was given to a series of absentee abbots in commendam. The lack of leadership depressed its fortunes.
The 14th commendatory abbot, installed in 1662, Armand Jean le Bouthillier de Rancé, godson of Cardinal Richelieu, proved to be La Trappe's greatest leader. De Rancé experienced a religious conversion which led him to take his responsibilities seriously. He became abbot in fact as well as in name. From 1664 La Trappe was the centre of a thorough reform of the Cistercian Order, led by de Rancé. The reform movement took the name of the abbey and became renowned as an order.
The abbey did not escape the general fate of religious houses under the French Revolution. Pursuant to the decree of 13 February 1790 against the religious orders of France, the abbey was suppressed. Some of the monks were martyred. Others, under the then-abbot, Dom Augustin de Lestrange, went into exile, initially at La Valsainte Charterhouse in Switzerland. The French government sold the abbey as national property. Dom Augustin purchased the property in 1815. When the community returned, the brothers found the premises in a ruinous state. They had to rebuild the monastery in its entirety. The new church was consecrated on 30 August 1832.
The abbey's reputation as a place of retreat continued. It attracted both the Count of Artois, afterwards Charles X and Louis Philippe in 1847. In 1880 the Trappists were expelled under French laws against religious institutions, but after a couple of years, they were able to return. The monastery was entirely rebuilt and the new church was consecrated in 1895.
The Neo-Gothic abbey buildings are still occupied by the Trappist community. La Trappe Abbey directly supervises four other Trappist houses.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.