Mont Saint-Michel is an island commune which has held strategic fortifications since ancient times, and since the eigth century AD has been the seat of the monastery from which it draws its name. The structural composition of the town exemplifies the feudal society that constructed it. On top God, the abbey and monastery, below this the Great halls, then stores and housing, and at the bottom, outside the walls, fishermen and farmers' housing. One of France's most recognisable landmarks, Mont Saint-Michel and its bay are part of the UNESCO list of World Heritage Sites and more than 3 million people visit it each year.
In prehistoric times the current rocty tidal island Mont was on dry land. Mont Saint-Michel was used in the sixth and seventh centuries as an Armorican stronghold of Gallo-Roman culture and power until it was ransacked by the Franks, thus ending the trans-channel culture that had stood since the departure of the Romans in AD 460. From roughly the fifth to the eighth century, Mont Saint-Michel belonged to the territory of Neustria, and in the early ninth century was an important place in the marches of Neustria.
Before the construction of the first monastic establishment in the 8th century, the island was called Mont Tombe. According to legend, the Archangel Michael appeared in 708 to St. Aubert, the bishop of Avranches, and instructed him to build a church on the rocky islet. Aubert repeatedly ignored the angel's instruction until Michael burned a hole in the bishop's skull with his finger.
Unable to defend his kingdom against the assaults of the Vikings, the king of the Franks agreed to grant the Cotentin peninsula and the Avranchin, including Mont-Saint-Michel, to the Bretons in the 867 Treaty of Compiègne. This marked the beginning of the brief period of Breton possession of the Mont. In fact, these lands and Mont Saint-Michel were never really included in the duchy of Brittany and remained independent bishoprics from the newly created Breton archbishopric of Dol. When Rollo confirmed Franco as archbishop of Rouen, these traditional dependences of the Rouen archbishopric were retained in it.
The mount gained strategic significance again in 933 when William 'Long Sword' annexed the Cotentin Peninsula from the weakened Dukes of Brittany. This made the mount definitively part of Normandy, and is depicted in the Bayeux Tapestry, which commemorates the 1066 Norman conquest of England. Harold, Earl of Wessex is pictured on the tapestry rescuing two Norman knights from the quicksand in the tidal flats during a battle with Conan II, Duke of Brittany. Norman Ducal patronage financed the spectacular Norman architecture of the abbey in subsequent centuries.
In 1067, the monastery of Mont Saint-Michel gave its support to Duke William of Normandy in his claim to the throne of England. This he rewarded with properties and grounds on the English side of the Channel, including a small island off the southwestern coast of Cornwall which was modeled after the Mount and became a Norman priory named St Michael's Mount of Penzance.
During the Hundred Years' War, the English made repeated assaults on the island, but were unable to seize it due to the abbey's improved fortifications. The English initially besieged the Mont in 1423-4, and then again in 1433-4 with English forces under the command of Thomas Scalles. Two wrought-iron bombards that Scalles abandoned when he gave up his siege are still on site. They are known as les Michelettes. Mont Saint-Michel's resolute resistance inspired the French, especially Joan of Arc.
When Louis XI of France founded the Order of Saint Michael in 1469, he intended that the abbey church of Mont Saint-Michel become the chapel for the Order, but because of its great distance from Paris, his intention could never be realized.
The wealth and influence of the abbey extended to many daughter foundations, including St Michael's Mount in Cornwall. However, its popularity and prestige as a centre of pilgrimage waned with the Reformation, and by the time of the French Revolution there were scarcely any monks in residence. The abbey was closed and converted into a prison, initially to hold clerical opponents of the republican regime. High-profile political prisoners followed, but by 1836, influential figures — including Victor Hugo — had launched a campaign to restore what was seen as a national architectural treasure. The prison was finally closed in 1863, and the mount was declared an historic monument in 1874. Mont Saint-Michel and its bay were added to the UNESCO list of World Heritage Sites in 1979, and it was listed with criteria such as cultural, historical, and architectural significance, as well as human-created and natural beauty.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.