The first written text about an abbey dates from the 9th century. When Christianity expanded to this area, around the 4th century, Mont Tombe, the original name of Mont Saint Michel, was part of diocèse d’Avranches. By the middle of the 6th century, christianism had a stronger presence in the bay. By this time, Mont Tombe was populated by religious devots, hermits (probably some Celtic monks) resupplied by the curé of Astériac, that took care of the site and led a contemplative life around some oratories.
In 710, Mont-Tombe is renamed Mont-Saint-Michel-au-péril-de-la-Mer (Mont Saint Michel at the peril of the sea) after erecting an oratory to Saint Michel by bishop Saint Aubert of Avranches in 708. According to the legend, Aubert received, during his sleep, three times the order from Saint-Michel to erect an oratory on the Mont-Tombe. The archangel left his finger mark on Aubert's skull. This skull is displayed at the Saint-Gervais d'Avranches basilica was such a scar on it.
This sanctuary should be, according to the archangel, a replica of the Gargano in Italy (from the 5th century). Aubert had a local religious artifact removed and instead a circular sanctuary built, made of dry stones. Around 708, On October 16 709, the bishop dedicated the church and put twelve chanoine there. The Mont-Saint-Michel was born. The remains of the oratory were found in the chapel Notre-Dame-Sous-Terre. This sanctuary contained the tomb of Aubert and most likely the artifacts brought from Gargano. The chapel Notre-Dame-Sous-Terre is today under the nave of the abbey-church.
The first buildings became too small and under the Western Roman Empire multiple buildings were added. In the 10th century the Benedictine monks settled in the abbey, constructing the Romanesque abbey church with its high vaulted ceilings and moulded arches, monastery and crypts at the apex of the rock.
Through successive centuries of the Middle Ages and with increasing numbers of monks and pilgrims both the abbey and village were extended until in the 13th century they stretched down to the foot of the rock.
By the 14th century and the Hundred Years war, the abbey had to be protected behind a massive set of military ramparts, enabling it to successfully hold out successfully through many English sieges lasting over 30 years and in doing so the Mount became a symbol of French national identity.
In 1421 the original Romanesque chancel (choir) of the abbey church collapsed and was replaced in the 15th century by a flamboyant Gothic structure, marking completion of the last major construction works at the mount. The abbey today is thus an exceptional example of the full range of medieval architecture.
Over the 16th and 17th centuries religious ideals waned and the number of monks dwindled until by 1790 the monastery was disbanded and the monks left the mount. This paved the way for the fortress to be turned into a prison in 1793, a situation which lasted through the days of the French Revolution and Empire until imperial decree in 1863 finally overturned the sacrilege.
In 1874 Mont Saint-Michel was designated as a French historical monument and major works have continued now for over a century to restore the mount to its former splendour, improving both the abbey interior and exterior. With the celebration of the monastery's 1000th anniversary in the year 1966, a religious community returned to the mount, perpetuating spiritual prayer and welcoming the mount's original vocation.
UNESCO recognised the unique character and historical importance of Mont Saint-Michel by classifying it as a world heritage site in 1979.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.