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Founded: 1900sCategory: Historic city squares, old towns and villages in Finland
Historical period: Russian Grand Duchy (Finland)
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Pispala is a city district located on the northern slope of Pispalanharju, the highest esker in Finland. Together with Pyynikki, Pispala is widely considered the most beautiful district of Tampere and tourists are often guided there for the view and the unique urban design features of the area.
Pispala is named after the House of Pispa, which had the obligation to house the bishops during their travel. Pispala was all farming land until as recently as 1869. As Tampere was industrialised Pispala grew without a unified local development plan, resulting in unique building styles and solutions. Pispala has always had a strong labour background and in the beginning of the 20th century it was the heart of labour movement in Tampere. In the Civil War (1918) Pispala was the last stronghold of besieged red guards and lot of local inhabitants were killed in the war or executed after it.
Today Pispala is a popular residential area and together with neighbouring Pyynikki it forms an important historical area of Tampere. The unique architecture of small wooden houses and narrow streets is very well-preserved. Many well-known Finnish artists and celebrities have lived and live in Pispala including Lauri Viita, Olavi Virta, Mikko Alatalo, Hannu Salama, Seela Sella, Keith Armstrong, Aaro Hellaakoski.
A monument to the Finnish poet Lauri Viita is located near the highest point of the ridge and there is a famous landmark in the area called the Shot tower (Pispalan haulitorni).
Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.