Pispala is a city district located on the northern slope of Pispalanharju, the highest esker in Finland. Together with Pyynikki, Pispala is widely considered the most beautiful district of Tampere and tourists are often guided there for the view and the unique urban design features of the area.
Pispala is named after the House of Pispa, which had the obligation to house the bishops during their travel. Pispala was all farming land until as recently as 1869. As Tampere was industrialised Pispala grew without a unified local development plan, resulting in unique building styles and solutions. Pispala has always had a strong labour background and in the beginning of the 20th century it was the heart of labour movement in Tampere. In the Civil War (1918) Pispala was the last stronghold of besieged red guards and lot of local inhabitants were killed in the war or executed after it.
Today Pispala is a popular residential area and together with neighbouring Pyynikki it forms an important historical area of Tampere. The unique architecture of small wooden houses and narrow streets is very well-preserved. Many well-known Finnish artists and celebrities have lived and live in Pispala including Lauri Viita, Olavi Virta, Mikko Alatalo, Hannu Salama, Seela Sella, Keith Armstrong, Aaro Hellaakoski.
A monument to the Finnish poet Lauri Viita is located near the highest point of the ridge and there is a famous landmark in the area called the Shot tower (Pispalan haulitorni).
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.