Finlayson ironworks and metallurgy factory was established in 1820 by the Scottish industrialist James Finlayson when he was noticed the energy potential of the free rapids in Tampere. Machine business was not very profitable and Finlayson started to manufacture and weave cotton yarn and textiles. James Finlayson sold the factory to Carl Samuel Nottbeck and Georg Rauch already in 1836. Oldest still existing building, "Kuusvooninkinen" or the "Old Factory", was completed in 1837. It was the first modern industrial building in Finland including for example an automatic sprinkler system.
Finlayson factory extended quickly. In the 1850s it was already the largest factory site Nordic countries. In 1900 Finlayson had nearly 3300 employees and it was a “town inside the town”. Finlayson had its own church, school, ships and electric railway. First electric light in Finland was also turned on in a building called Plevna (1882). Nottbeck family built two magnificent palaces near the factory area.
During the Finnish Civil War in 1918 Tampere was the center of red army. Poor living conditions turned Finlayson and near Tampella factory labour to support the socialism and many of them were joined to red guards. Heavy battles were fought in the factory area and city centre. Plenty of Finlayson workers were died in battles of executed when the white army conquered Tampere.
Finlayson textile business was downsized seriously since the 1980s and manufacturing ended in Tampere in the beginning of the 1990s. Today there are museums, offices, movie theater and shopping centre in old factory buildings. The rapids together with old red-brick factory buildings make the area one of Finland's national heritage landscapes.
Thanks Mari, very good clarification. I updated the description.
In your article you mention that James Finlayson is English industrialist, however, I need to correct that he is Scottish.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.