The site of current Rennes Cathedral has been used for a cathedral more or less from the beginnings of the see in the 6th century. The earliest building was completely replaced by a Gothic cathedral in the 12th century, of which in 1490 the tower and the entire west front collapsed. The existing façade with its neoclassical granite towers in four stages was constructed over the next two centuries or so, with long gaps between the different stages: the lowest level was built between 1541 and 1543, the second from 1640 to 1654 (by Tugal Caris), and the fourth (by Pierre Corbineau) from 1654 to 1678. Yet another architect, François Hoguet, completed the towers, between 1679 and 1704, at their present height of 48 metres and added the device of Louis XVI between them.
The nave and choir however had not been restored. During vespers on 11 February 1754 a great stone fell from the roof of the choir, and it was decided, before the entire body of the cathedral collapsed, to demolish all these parts and rebuild them. The demolition was carried out between 1756 and 1768, leaving only the towers and west front standing. Rebuilding began in 1787, shortly after which the French Revolution began and all work was suspended. It did not recommence until 1816, initially under the supervision of the architect Mathurin Crucy. He died in 1826; the work was continued under the local architect Louis Richelot, and finished in 1845.
The original decoration was in a plain neo-classical style, but during the 19th century it was extensively refurbished with gilt, stucco and paintings (inspired by those in the Parliament of Rennes) to create a more sumptuous appearance. Characteristic of this cathedral is the contrast between the rich decoration, including, in front of the altar, slabs of rare marble from the Roman Forum, a gift from Pope Pius IX, and the sombre granite of the structure.
This church is dedicated to Saint Melaine, traditionally the first Bishop of Rennes, buried here in the 6th century. The present buildings were constructed in the 17th century, and were badly damaged during World War II.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.