The first castle in Vitré was built of wood on a feudal motte around the year 1000 on the Sainte-Croix hill. The castle was burned down on several occasions, and eventually was bequeathed to the Benedictine monks of Marmoutier Abbey.
The first stone castle was built by the baron Robert I of Vitré at the end of the 11th century. The defensive site chosen, a rocky promontory, dominated the valley of the Vilaine. A Romanesque style doorway still survives from this building. During the first half of the 13th century, baron André III, rebuilt it in its present triangular form, following the contours of the rocks, surrounded with dry moats.
At his death, the land fell to the family of the Counts of Laval. Guy XII de Laval enlarged the castle in the 15th century. During this period, the final defensive works were realised, notably the gatehouse with double drawbridge, tour Saint-Laurent (St Laurent Tower, the main keep later pierced with cannon apertures) and tour de la Madeleine (Magdalene Tower). Nevertheless, in 1487, Guy XV de Laval opened the castle to French troops without a fight.
From the end of the 15th century, alterations concentrated on improving the comfort of the castle, including the construction of galleries and a renaissance style oratory(1530). The Parlement of Brittany took refuge in the castle three times (in 1564, 1582 and 1583), while plague raged in Rennes.
Under the Rieux and Cologny families, owners of the castle between 1547 and 1605, Vitré sheltered Protestants and became for some years a Huguenot stronghold. In 1589, the castle resisted a five-month siege by the Duc de Mercœur. In 1605, the castle became the property of the Trémoille family, originally from Poitou. The castle was abandoned in the 17th century and began to decline, notably with the partial collapse of the St Laurent Tower and the accidental fire which destroyed the feudal residence at the end of the 18th century.
A départemental prison was built in place of the residence and occupied the northern part of the castle, including the Magdalene Tower. The prison became a barracks with the arrival of the 70th infantry regiment between 1876 and 1877.
The castle was bought by the town in the 1820 for 8500 francs. In 1872, it was one of the first castles in France to be classified as a monument historique (historic monument) and restored from 1875 under the direction of the architect Darcy. Placed in the public domain, the castle was furnished with a small museum, in 1876, inspired by Arthur de la Borderie. Paradoxically, he destroyed the collégiale de la Madeleine (collegiate church of the Madeleine) in the castle courtyard while he was in charge of conservation for the town. A boys' school was built in its place.
Today, the Vitré town hall stands inside the curtain wall, in a building reconstructed in 1912 following the plans of the medieval residence. The Place du Château, outside the castle, used to be the castle forecourt where stables and outbuildings were.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.