Château de Lanniron belonged to the bishops of Quimper since the 12th century. In the 15th century, Lord Bertrand de Rosmadec erected a new manor which his successors used until the end of the 18th century either as a permanent residence or a summer residence. In the 17th century, Lord François de Coëtlogon extended the property. He will be remembered not only for his great deeds as a bishop but also for creating wonderful gardens.
The main embellishments of Lanniron were the large canal, the fountains, the ornamental Lake of Neptune and the Orangerie which is now the place for concerts during the musical weeks of Quimper. Also Lord Ploeuc and Lord Farcy beautified Lanniron and the manor was extended.
During the revolution, Lanniron sadly declined and it was subsequently sold by the State in 1791. It was looted, it had several owners for about 10 years and Emmanuel Harrington converted the manor to a Palladian residence. From plannings, that were drawn in London, we can deduce that Harrington wanted to modernise the gardens by removing the terraces. Fortunately, he did not have the necessary time to execute his project.
Charles de Kerret, the grandfather of the present owners, became the owner of Lanniron in 1833. He also brought back Sequoïas and Wellingtonias. Lanniron suffered a lot during the German occupation in the last war. Around 1950 one of the main features of the big canal, its water, was deprived. The camping site of Orangerie de Lanniron was created in 1969 in order to maintain the survival of the property and to attract tourists to the banks of the River Odet and its region.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.