Château de Lanniron belonged to the bishops of Quimper since the 12th century. In the 15th century, Lord Bertrand de Rosmadec erected a new manor which his successors used until the end of the 18th century either as a permanent residence or a summer residence. In the 17th century, Lord François de Coëtlogon extended the property. He will be remembered not only for his great deeds as a bishop but also for creating wonderful gardens.
The main embellishments of Lanniron were the large canal, the fountains, the ornamental Lake of Neptune and the Orangerie which is now the place for concerts during the musical weeks of Quimper. Also Lord Ploeuc and Lord Farcy beautified Lanniron and the manor was extended.
During the revolution, Lanniron sadly declined and it was subsequently sold by the State in 1791. It was looted, it had several owners for about 10 years and Emmanuel Harrington converted the manor to a Palladian residence. From plannings, that were drawn in London, we can deduce that Harrington wanted to modernise the gardens by removing the terraces. Fortunately, he did not have the necessary time to execute his project.
Charles de Kerret, the grandfather of the present owners, became the owner of Lanniron in 1833. He also brought back Sequoïas and Wellingtonias. Lanniron suffered a lot during the German occupation in the last war. Around 1950 one of the main features of the big canal, its water, was deprived. The camping site of Orangerie de Lanniron was created in 1969 in order to maintain the survival of the property and to attract tourists to the banks of the River Odet and its region.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.