Roskilde Mansion replaced a bishop's palace which had stood at the site since the Middle Ages. Commissioned by King Christian VI, the new building was constructed to provide a residence for the royal family when they passed through the city or attended royal funerals and other ceremonies in Roskilde Cathedral. Lauritz de Thurah who had recently been engaged as royal master builder, was charged with its design in 1733 and the palace was completed in 1736.
During the English siege of Copenhagen in 1807, the mansion served as headquarters of general Wellesley, the future Duke of Wellington. Later in the century, it provided a venue for the so-called Assembly of the Estates, a key event leading up to the adoption of the Danish constitution in 1849.
Built in the Baroque style, in yellow-washed masonry and with red tile roofs, the four-winged complex consists of a two-storey main wing, two one-storey lateral wings and a curved gate wing opening to the Stændertorvet. The four wings are connected by curving galleries. Facing the courtyard, the facade of the main wing has pilasters and a median risalit tipped by a triangular pediment decorated with the royal coat of arms. Dating from the 13th century, the Gate of Absalon which connects the mansion to the apsis of Roskilde Cathedral, is the only surviving part of the former bishop's palace.
Since 1924, one of the wings has been home to the office and official residence of the Bishop of Roskilde. The rest of the complex houses Roskilde Museum of Contemporary Art, founded in 1991, as well as Roskilde Art Association and the Palace Collections. The mansion's gardens and courtyard are also used for exhibitions, concerts and other cultural events.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.