Munch Museum (Munch-museet) is an art museum dedicated to the life and works of the Norwegian artist Edvard Munch. The museum was financed from the profits generated by the Oslo municipal cinemas and opened its doors in 1963 to commemorate what would have been Munch's 100th birthday. Its collection consists of works and articles by Munch, which he donated to the municipality of Oslo upon his death, and additional works donated by his sister Inger Munch, as well as various other works obtained through trades of duplicate prints, etc.
The museum now has in its permanent collection well over half of the artist's entire production of paintings and at least one copy of all his prints. This amounts to over 1,200 paintings, 18,000 prints, six sculptures, as well as 500 plates, 2,240 books, and various other items. The museum also contains educational and conservation sections and also has facilities for performing arts.
The museum structure was designed by the architects Einar Myklebust and Gunnar Fougner (1911-1995). Myklebust also played an important role in the expansion and renovation of the museum in 1994 for the 50th anniversary of Munch's death. The new museum will probably be completed in 2017 by the Spanish studio Herreros Arquitectos.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.