Bishop Arnaldur (1124-52) returned to Norway in 1150 from Gardar, Greenland and was appointed first Bishop of Hamar. He began to build the cathedral, which was completed about the time of Bishop Paul (1232-52). Bishop Thorfinn of Hamar (1278-82) was exiled and died at Ter Doest in Flanders. Thorfinn and many other bishops of the area disagreed with the sitting King Eric II of Norway regarding a number of issues, including episcopal elections. Bishop Jörund (1285-86) was transferred to Trondhjem.
In the aftermath of the Reformation in Norway, the structure was renamed Hamarhus fortress and made into the residence of the sheriff. The cathedral was still used but fell into disrepair culminating with the Swedish army’s siege and attempted demolition in 1567, during the Northern Seven Years' War. Swedish forces had launched attacks into Eastern Norway, capturing Hamar and continued towards Oslo. The Swedes later retreated, torching Hamar on their way, destroying Hamar Cathedral and Hamarhus.
Today the ruins of Hamar Cathedral form a part of the Hedmark museum (Hedmarksmuseet). The ruins of what remain of the Hamar cathedral, were originally built in Romanesque architecture and later converted to Gothic architecture. The distinctive arches in the cathedral ruins are covered in one of the most ambitious construction projects of its kind undertaken by the Norwegian government.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.