The church of Timios Stavros is inscribed on the UNESCO World Heritage List which included nine other painted Byzantine churches of the Troodos range. The present form of the church is the result of several additions and alterations, carried out throughout various periods. Originally, it was a single-aisled domed structure, built around the middle of the 12th century and it is possible that it was the church of a cemetery. The original church was destroyed under unknown circumstances. Only the apse survived, which was incorporated in a new church of the same type, built at the end of the 13th or the beginning of the 14th century. This was the first of a series of interventions, where collapsing parts were either rebuilt or expanded. The north aisle is a slightly later addition but it clearly dates to before the middle of the 14th century, while the south aisle is a 16th century addition. The final result is a three-aisled structure with appealing proportions which manage to conceal its turbulent architectural history.
According to an inscription surviving in the apse, the original wall-painting decoration dates to 1171/2. Fragments of the decoration are preserved on the apse under the layer of the 14th century frescoes. They belong to a style rarely seen in the 12th century wall-paintings of Cyprus, but very common in contemporary churches in Capadocia, Greece and Crete.
The main part of the church of Timios Stavros was decorated during the second half of the 14th century. At least two artists belonging to the same workshop were involved, together with their students. Many donors contributed towards this decoration complex. From these wall-paintings we can distinguish a group which follows the Palaiologan style developed in Constantinople during the 14th century. A second group follows the contemporary local Byzantine tradition, enriched with crusader and Armenian features, both in terms of the style and iconography.
The north aisle, which is more or less contemporary to the previous wall-paintings, served as a private chapel for the family of the Latin feudal lord of the area, Ioannes Lusignan (1353-1374/5). The wall-painting decoration of this aisle is a combination of western and Byzantine features, indicating that the Latin rulers of Cyprus did not necessarily have solely Gothic preferences in art.
References:The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends.