Bellapais Abbey, or 'The Abbey of Peace', is the ruin of a monastery built by Canons Regular in the 13th century. The site of the Abbey may have served the Bishops of Kyrenia as a residence, and as a place of refuge from Arab raids in the 7th and 8th centuries. The first occupants known to have settled on or near the site were the Canons Regular of the Holy Sepulchre, who had fled Jerusalem after its fall in 1187 to Saladin. The canons had been the custodians of the Church of the Holy Sepulcher.
Aimery de Lusignan founded the monastery, with the first buildings dating to between 1198-1205. The abbey was consecrated as the Abbey of St. Mary of the Mountain. The White Canons (Norbertines or Premonstratensians) succeeded the founding canons in 1206. Consequently, documents from the 15th and 16th century refer to Bellapais as the 'White Abbey'.
The main building as it can be seen today was built during the rule of King Hugh III 1267-1284. The cloisters and the refectory were constructed during the rule of King Hugh IV between 1324-1359. Hugh IV lived in the abbey and had apartments constructed for his use.
In 1373, the Genoese raided Kyrenia, almost destroying Kyrenia Castle. The Genoese stripped Bellapais of anything that was portable and of any value.
By 1489 the Venetians had taken control of Cyprus. They shortened the Abbey's name to 'De la Pais' ('Of Peace'), which in turn became Bellapais. By the time of the Venetians, the inhabitants of the Abbey had abandoned the Premonstratensian Rule. Reportedly, canons took wives, and then to keep the business within the family, accepted only their children as novices.
Following the Ottoman conquest of Kyrenia and Kyrenia Castle in 1571, the Ottomans expelled the Premonstratensians and gave the abbey to the Greek Orthodox Church of Cyprus, which they appointed as the only legal Christian church on Cyprus. The Church of Cyprus neglected the Abbey, which fell into disrepair. However, the abbey church itself came to serve as the parish church for the village that grew up around it, and whose inhabitants may have used the abbey as a quarry for stone.
During the period of British control of Cyprus (1878-1960), the British Army initially took control of Bellapais. In 1878 they cemented the floor of the refectory, which they then used as a hospital. Unfortunately, the soldiers also fired off small arms in the refectory; one may still see bullet holes in the east wall. Then in 1912 George Jeffery, Curator of the Ancient Monuments of Cyprus, undertook repairs of the abbey.
The abbey consists of a church and a cloister, with most of the monastic buildings surrounding the cloister. In Britain these would normally be built on the south side of the church to shelter the living quarters from the cold air from the north. At Bellapais, the monastic buildings are on the north, probably to be cooler, although occasionally the lay of the land dictated position.
The Abbey's main entrance is through a fortified gate on the south side, with a tower that is a later addition, and a forecourt. The gateway replaced an earlier drawbridge.
The church, which dates to the 13th century, itself borders the courtyard and is the best preserved part of the complex. The Italian murals on the facade may date to the 15th century. The church has a flat roof and a belfry, with only one surviving bell, above the entrance. The church consists of a nave with two side aisles, a choir and a sacristy. The surviving decorations include an intricately carved pulpit, the bishop's throne, and five chandeliers. It is possible that the graves of several Lusignan kings rest beneath the floor of the church.The forecourt leads to the cloister, which has 18 arches. Under one of the arches on the north side there are two Roman sarcophagi that the canons once used as lavabos. The sarcophagi are one above the other, with the upper one being decorated, and the lower one plain. Water flowed from the upper to the lower, and then out a channel to the cloister garden.
Behind the sarcophagi there is a door that leads to the canons' refectory. The door's lintel contains coats of arms of Cyprus, Jerusalem, and the Lusignans. The refectory is Gothic in design and is the finest room in the Abbey. It includes a pulpit that projects from the north wall, six windows on the north wall that illuminate the space, and a rose window on the eastern wall. The room is 30m long and 10m wide, with seven columns that extend from the side walls to support the roof. While the canons ate their meals, a lector in the pulpit would read to them from the scriptures or the lives of the saints. The six windows provide a lovely view across the countryside to the sea. A door on the western wall leads to the kitchen and to a cellar built under the refectory. The rooms between the refectory and the kitchen may once have been the abbey's lavatories.
The chapter house is on the eastern side of the cloister, as is the undercroft. The chapter house functioned as the abbey's administrative office, and the undercroft contained workrooms. The chapter house has an interesting Gothic stone carving. The carving depicts a man with a double ladder on his back, a second man between two sirens, a woman reading, two beasts attacking a man, a woman with a rosary, a monkey and a cat in the foliage of a pear tree under which there is a man holding a shield, and a canon wearing a cloak. The column in the center of the chapter house may have come from a Byzantine church. The canons' cells were on a second floor, above the chapter house and the undercroft.References:
Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.
Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.
The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.
In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.
The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.
The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.