Selimiye Mosque, also known as Agia Sofia Cathedralm, is the largest and oldest surviving gothic church in Cyprus possibly constructed on the site of an earlier Byzantine church. The building belongs to the pure Gothic style of the beginning of the 12th century. Due to the building’s large scale, lack of money and various historical events it took 150 years for the cathedral to be built and still, it was never completed since the southwest tower and the portico’s upper floor were not constructed.
The cathedral’s first construction phase began during the first years of Frankish rule (possibly in 1209) and by 1228 the eastern part of the building was completed. By the end of the 13th century the side aisles and a large part of the middle aisle were completed. From 1319 to 1326 the Latin archbishop of Nicosia Giovanni del Conte or Giovanni de Polo was responsible for the completion of the middle aisle, the construction of the roof buttresses, the cathedral’s façade and the building of a chapel (which functioned as a baptistery) in the western part of the southern wall. He also adorned parts of the cathedral with frescoes and sculptures. In November 1326 the cathedral’s official inauguration took place.
Even though the cathedral was inaugurated, the building was still incomplete and in 1347 Pope Clement IV issued a papal bull for the cathedral to be completed and renovated since it had been affected by an earthquake. It was during this construction period that the building’s portico and the northwest tower were constructed. The western wall’s three entrances are decorated with important examples of architectural sculpture. The main entrance’s frame bears impressive sculptures. Three of the four arches are decorated with reliefs depicting kings, prophets, apostles and bishops.
With Nicosia's occupation by the Ottomans (1570), the cathedral of Agia Sofia was turned into a mosque and two minarets were added onto the building’s west part. The cathedral’s rich sculptural decoration was destroyed and so were the frescoes, the sculptures and the stained glass decoration (vitraux) depicting scenes from the Old and New Testament. Funerary tombstones of various Lusignan kings and princes were also destroyed.
In August 1954 the monument was renamed the Selimye mosque in honor of sultan Selim II (1566 – 1574) who ruled at the time of Cyprus’ conquest by the Ottomans.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.