Situated on the edge of Boltasli village, the church of Panaya Kanakaria dates back to the early Byzantine period. There is, however, virtually no trace of the original church. What we can see today is from the late 5th century onwards. The church is cruciform in shape, having been originally built as a colonnaded basilica. It was largely destroyed during the Arab raids of the 700s, and rebuilt. Further restoration was required after an earthquake in 1169, when it took its form as a multi-domed church. The porch was added around 1400, at the same time as the roof was strengthened. The central drummed cupola dates to the 1700s. and was probably added at the same time as a monastery was opened.
The apse, which is part of the original church, was adorned with mosaics, believed to have been made around 550, and considered to be some of the most important surviving pieces of early Christian artwork, having escaped the almost total destruction of religious images during the Byzantine Iconoclastic period from 726 to 843 AD. They consisted of the Virgin and Child, Saint James and Saint Andrew, and an Archangel.
Some time after 1979, these mosaics were looted and found their way to America via Munich, along with some other stolen works of art. In a famous court case, they wereretrieved and returned to Cyprus, where they are now on display in the Byzantine museum in south Nicosia. Outside the church, above the porch, there is a fresco of the Virgin Mary, dating to 1779.
The church is usually locked, but the key is held locally, and the church is occasionally open. However, even from the outside it is worth a visit.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.