Built beside the small Byzantine church of St. Symeon, the church of St. George was a Orthodox Cathedral. An elegant mix of Gothic and Byzantine styles it was intended to rival its Catholic counterpart. However it was too big, with insufficient buttressing and a roof that was going to be too heavy. The pillars throughout the nave were expanded to take more weight and the roof was inserted with large upturned terracotta pots to spread the load. The church was not in existence long enough to find out if the builders may have eventually got things right. Taking the brunt of the Ottoman bombardment in 1571, evidence of which is still very evident in the remaining walls, the building stood for a little over a hundred years.
There are 15th century fresco fragments clearly visible in the three apses, though these are fading fast and there is no move to preserve them.
St. Symeon is accessible from St. George, it is a church with twin apses and is most notable for being the last resting place in Cyprus of St. Epiphanios one time Bishop of Salamis.
There are two other small churches nearby in what was once the Orthodox quarter of the city, Ayia Zoni, 14th C Byzantine, the church is intact and contains frescoes but is closed to the public. Close to it is another church of the same period, St. Nicholas (not to be confused with the catholic cathedral), a double-aisled church with two semi-circular apses and dome, otherwise a ruin.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.