The Lala Mustafa Pasha Mosque originally known as Saint Nicholas's Cathedral and later as the Ayasofya (Saint Sophia) Mosque of Magusa, is the largest medieval building in Famagusta, Northern Cyprus. The cathedral was constructed from 1298 to 1312 and was consecrated in 1328. 'After an unfortunate episode when the current bishop embezzled the restoration fund', Bishop Guy of Ibelin bequeathed 20,000 bezants for its construction. The Lusignans would be crowned as Kings of Cyprus in the St. Sophia Cathedral (now Selimiye Mosque) in Nicosia and then crowned as Kings of Jerusalem in the St Nicholas Cathedral in Famagusta. The cathedral was converted into a mosque after the Ottoman Empire captured Famagusta in 1571 and it remains a mosque to this day.
The building is built in Rayonnant Gothic style, quite rare outside France, though 'mediated through buildings in the Rhineland'. The historic tie between France and Cyprus is evidenced by its parallels to French archetypes such as Reims Cathedral. Indeed, so strong is the resemblance, that the building has been dubbed 'The Reims of Cyprus'; it was built with three doors, twin towers over the aisles and a flat roof, typical of Crusader architecture.
The upper parts of the cathedral's two towers suffered from earthquakes, were badly damaged during the Ottoman bombardments of 1571, and were never repaired. With the Venetians defeated and Famagusta fallen by August 1571, Cyprus fell under Ottoman control and the cathedral was converted into a mosque, renamed the 'St.Sophia Mosque of Mağusa'.
Islamic tradition prohibits the depiction of creatures or iconography; consequently, nearly all statuary, cruciforms, stained glass, frescos, and paintings were removed or plastered over, as well as most tombs and the altar. The Gothic structure was preserved however, and a few tombs can still be identified in the north aisle.In 1954, it was renamed the Lala Mustafa Pasha Mosque after the commander of the 1570 Ottoman conquest- infamous for the gruesome torture of Marco Antonio Bragadin, the Venetian commander of the city's fortress. Bragadin had surrendered the city following a brutal 10-month siege in which 6,000 Christian defenders held off an army of more than 100,000 Ottoman Turks. A pledge of amnesty was secured from Lala Mustafa Pasha- who then reneged and had Bragadin beaten, his ears and nose cut off, publicly humiliated, and flayed alive.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.