Tamassos is an archaeological site which lies under the modern villages of Politiko, Pera and Episkopio. Visible today in the large site are the temple of Aphrodite, two majestic royal tombs as well as several smaller ones. It seems that Tamasos was founded around the 8th century B.C., in an area which was already inhabited from the Late Bronze Age, and until the first half of the 7th century it had developed into an important city-kingdom of Cyprus. From its foundation until the Roman period the town prospered greatly due to the exploitation of the mines in its environs.
In the second half of the 4th century the king of Tamasos, Pasikypros, sold the city to the king of Kition, Poumiathon, and Tamasos therefore came under the ownership of the Phoenicians. The domination of the Phoenicians did not last very long since Tamasos along with her mines had been conceded to the kingdom of Salamis until the final abolition of the kingdoms by the Ptolemy kings in 312-311 B.C. Apart from the fact that in the first half of the 1st century A.D. Tamassos became one of the Christian bishoprics of Cyprus, the city did not play an important role during the Hellenistic and Roman periods.
The first excavations at the site took place in 1889, 1890 and 1894 by Ohnefalsch Richter, who excavated many tombs of the Late Bronze Age and three royal tombs of the Cypro-Archaic period, of which only two survive today. The tombs were carved in such a way that their construction resembles a wooden building with a pediment. Adjacent to these tombs the Department of Antiquities brought to light (in 1997) six intact limestone sculptures (two sphinxes and four lions), which probably protected the entrance of these tombs. The sculptures are exhibited today in the Cyprus Museum (Lefkosia). Three more tombs, the first dating to the Bronze Age, the second to the Archaic period and the third to the Hellenistic and Roman periods, have been excavated in and around the actual village of Politiko.
During the excavations carried out in 1970-1980 by the German Archaeological Institute under the direction of Hans-Gunter Buchholz, part of the strong defensive wall surrounding the city during the Archaic period was uncovered as well as part of the ancient city with shrines and installations for the exploitation of bronze. The temple of Aphrodite and the temple of the Mother Goddess, identified as Cybele, were constructed in the Cypro-Archaic II period and were destroyed during the revolt against the Persians in the beginning of the 5th century B.C. Towards the end of the 4th century these were rebuilt with a different architectural plan. It seems that there were many more shrines around Tamasos but these have not yet been uncovered.
During the Early Christian period a large three aisled basilica was erected upon the burial place of Saint Herakleidios, southeast of ancient Tamassos, in honour of its first bishop. This basilica fell into ruins and many other churches were constructed in its place until the church took its final form in 1773. Today the church is part of a convent.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.