Panagia Eleousa church dates to the 16th century, and is two aisled, rather than the three which would be more normal for the style of the time. The aisles end in a pair of cylindrical apses. Outside the church are the remains of the monastery which this church once served.
The two aisles are separated by a double archway, with the northern aisle being much smaller than the southern one. This difference in size can also be noticed from the outside in the different dimensions of the windows at the eastern end. The whole of the western end is a later addition, and the join can be seen both externally and internally.
The main door of the church shows Lusignan influences, which explains the lopsided nature of the church. The French Lusignans were Latin Christians, and while not actually banning Orthodox Christianity, treated it as second class. There are other examples in the Middle East where the ruling classes reluctantly allowed the peasants space to worship in their churches. To remind them of their place, the space allocated to the Orthodox Christians was much smaller than that allocated to the Latin Christians.
Although disused, the church continues to be a place of pilgrimage by Orthodox visitors, and it is unusual to visit and not see a lit candle.References:
The Jelling stones are massive carved runestones from the 10th century, found at the town of Jelling in Denmark. The older of the two Jelling stones was raised by King Gorm the Old in memory of his wife Thyra. The larger of the two stones was raised by King Gorm's son, Harald Bluetooth in memory of his parents, celebrating his conquest of Denmark and Norway, and his conversion of the Danes to Christianity. The runic inscriptions on these stones are considered the most well known in Denmark.
The Jelling stones stand in the churchyard of Jelling church between two large mounds. The stones represent the transitional period between the indigenous Norse paganism and the process of Christianization in Denmark; the larger stone is often cited as Denmark's baptismal certificate (dåbsattest), containing a depiction of Christ. They are strongly identified with the creation of Denmark as a nation state and both stones feature one of the earliest records of the name 'Danmark'.
After having been exposed to all kinds of weather for a thousand years cracks are beginning to show. On the 15th of November 2008 experts from UNESCO examined the stones to determine their condition. Experts requested that the stones be moved to an indoor exhibition hall, or in some other way protected in situ, to prevent further damage from the weather.
Heritage Agency of Denmark decided to keep the stones in their current location and selected a protective casing design from 157 projects submitted through a competition. The winner of the competition was Nobel Architects. The glass casing creates a climate system that keeps the stones at a fixed temperature and humidity and protects them from weathering. The design features rectangular glass casings strengthened by two solid bronze sides mounted on a supporting steel skeleton. The glass is coated with an anti-reflective material that gives the exhibit a greenish hue. Additionally, the bronze patina gives off a rusty, greenish colour, highlighting the runestones' gray and reddish tones and emphasising their monumental character and significance.