St. Eusebius church is named after the 4th-century saint Eusebius, Bishop of Vercelli. On the site of the present building initially stood a church dedicated to St. Martinus but after some relics of St. Eusebius arrived in the town during the early part of the 15th century, it was decided to build a new church dedicated to the saint at the old site. This new structure gradually replaced the old building over the next century, commencing when Arnold, Duke of Egmond laid the first stone in 1452.
The church was extensively damaged during the Second World War following Operation Market Garden in 1944. When the battle over the bridge that crosses the Rhine occurred, between paratroopers under the command of British Lieutenant-Colonel John Dutton Frost and the Germans, the church was completely burnt out. Later the tower, weakened by the fire, collapsed entirely.
Following the war the church was restored between 1946 and 1961. It is no longer used for religious services but rather is a tourist attraction, specifically commemorating the bravery of the paratroopers of the Allied forces who attempted to isolate the Germans by capturing the bridge across the river Nederrijn.
In 1994 the municipality of Arnhem commissioned an elevator to be placed in the church tower. Visitors can pay a small fee and ride up the elevator past all of the array of bell and into the loft of the church, from where tourist binoculars or the naked eye can be used to survey a 360 degree view of the surrounding city.
Visitors are also able to enter the crypt below the building. This part of the building has only very dim light in a central part. By carefully exploring a number of darkened cavernous areas, most of which are either barred as if being a part of old gaol cells, or in some cases as clearly exhumed shallow graves, the visitor can find ancient human bones which have been left in the state of their burial or death.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.