In 990 AD, Willigis, Archbishop of Mainz and Archchancellor of the Holy Roman Empire, endowed a collegiate foundation in Mainz and had the church built as the “Empire’s Place of Prayer”. The constructor of the cathedral was himself laid to rest in St. Stephen’s in 1011. The new Gothic building was erected between 1290 and 1335. It stands on the foundations of the basilica built in Ottonian-pre-Romanesque style around 990. When the (gun) Powder Tower located nearby blew up in 1857, St. Stephen’s was also badly damaged. The rich baroque decoration was removed during the reconstruction.
St. Stephen’s is the only German church for which the Jewish artist Marc Chagall (1887 - 1985) created windows. He completed his final window shortly before his death at the age of 97. Nineteen later and deliberately more modest windows in the side aisles by Charles Marq, from the Atelier Jacques Simon in Reims, serve to lead up to the masterpieces. Chagall worked together with Marq for 28 years.
Anyone who has seen the famous windows should not afterwards fail to take a walk around the most beautiful late-Gothic cloister in Rhineland-Palatinate. This was the place of burial of many of the 600 canons. Tombstones and the coats of arms of the capitular families recall their memory. The coats of arms are enriched by modern keystones donated by the federal and state governments, the bishopric and city of Mainz. Works of art, such as the enthroned God the Father from the 15th century, or the late Gothic sculpture of St. Anne, the Virgin and the Christ Child, should also not be overlooked. For some years in St. Stephen’s, children have been baptised in the original Gothic baptismal font from 1330 again.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.