The mendicant order of Augustinian hermits had a monastery in the Augustinerstrasse from 1260 until 1802. The one-aisled church was newly constructed, together with the monastery, from 1768 to 1772. The Diocesan Priests’ Seminary has been located here since 1805. The ornamentation of the church is so rich because patrons generously supported the work: The Elector did not want a “peasants’ church” in his residence city. The façade shows the vivid forms of Main-Franconian baroque and a Coronation of the Virgin by the Mainz sculptor Nikolaus Binterim. In the interior, the painter Johann Baptist Enderle from Donauwörth glorified the life of the Father of the Church, Augustine, in large, bright ceiling frescos. Johann Heinrich Stumm built the divided organ with the centre window in1773; it is one of the few surviving instruments of this dynasty of organ builders.
A lime wood sculpture from 1420 smiles out of a niche between the south side altars: Mary with the Child Jesus playing – an unusual work of Gothic art in its brightness which is assigned to the “soft style”. The highly venerated miraculous image was rescued from the burning Church of Our Lady in 1793. In the high altar is an iconographic rarity: At the death of Christ, God the Father lets “Mankind’s certificate of debt” be torn up by a putto.
References:The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.