Vaasa Church was planned by the architect C. A. Setterberg and consecrated in 1869. The church, built in an English neo-gothic style, has a capacity of almost 900 people. The last restoration took place in the year 2000.
The church has three altarpieces: The Institution of the Eucharist by R. W. Ekman (1861), The Adoration of the Angels by Albert Edelfelt (1894), and The Deposition of Christ by Louis Sparre (1897).
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.