The Luxembourg City History Museum illustrates the thousand-year history of the City of Luxembourg with both permanent and temporary exhibits.
Like the city itself, the museum successfully combines ancient architecture with modern extensions. It is housed in four restored houses from the 17th to the 19th century which still bear archeological traces from the Middle Ages. Examples of how to combine old buildings with the expectations of museum visitors are the floating glass façade and the panoramic lift which offers extensive views of all floors. The huge glass cage of the lift gives up to 65 people views of the rock foundations on the lower levels as well as views of the city's Grund district and Rham plateau on the upper levels, revealing the stages of Luxembourg's history over the centuries. Also of interest are the ancient, vaulted cellars which were discovered during excavation work in the early 1990s.
The floors below the street level entrance house a permanent collection illustrating the town's architectural and urban development while the upper floors are reserved for temporary exhibitions. A multimedia system extending throughout the building documents the history of the town including its cultural, political and social development. It provides access to some ten thousand documents and almost sixty audio-visual sequences.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.