On a hill overlooking Arras stand the remains of two towers which bear testament not only to the once-powerful Mont-Saint-Eloi Abbey. According to legend the abbey was established in the 7th century by Saint Vindicianus, a disciple of Saint Eligius, and by the Middle Ages it had become a powerful religious centre; however the turbulent times of the Revolution saw its walls pillaged for their stone. All that survived were the twin towers of white limestone and the porch on the west wall.
From the beginning of the First World War the towers were used by French troops to observe German positions on Lorette Spur and Vimy Ridge. The suspicions of the French soldiers were aroused when Germans fired upon their every movement until it was realized that what was giving them away was not a spy but the birds nesting on the towers which took flight when troops disturbed them. In 1915 heavy shelling truncated the towers, reducing their height from fifty-three to forty-four metres.
In early 1916 the British Army relieved French troops in the sector. The latter had established an extension to the local cemetery in Ecoivres, at the foot of the hill, to bury 786 of their soldiers who died there, mostly in the fighting of 1915. A military tramway used to carry supplies to the troops at the front also served as an ambulance to bring back the dead and wounded. This transport system conferred on Ecoivres Military Cemetery an unusual feature in that, from the French extension to the Cross of Sacrifice, the graves of the mostly British and Canadian soldiers are in chronological order relating to the date of death: the graves of the men of the 46th North Midland Division who relieved the French in March 1916 are followed by those of the 25th Division who fell in the German attack at the foot of Vimy Ridge in May 1916; next come the men of the 47th London Division who died between July and October 1916 and finally the graves of the Canadians who lost their lives in the successful assault on Vimy Ridge in April 1917.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.