The first owners of the Geldrop castle were Jan and Philip van Geldrop, who probably built it in 1350. The following century the castle remained in the Van Geldrop family. The construction of the present day castle was started in 1616, when Amandus I van Horne had the middle facade built. There is still a door post in the castle that reminds us of him. It holds the coats of arms of this illustrous family.
In 1768 the heirs of Van Horne sold the manor to Adriaan van Sprangh. The latter“s coat of arms is situated upon the western facade of the castle. The new Lord of Geldrop had the castle and living-tower renovated. In 1798 feudal rights ended with the French Revolution. The title of Lord of Geldrop was now an empty one.
In the 19th century the castle came into the hands of the Hoevenaar family. Under the ownership of Sara Hoevenaar, 1n 1840, the medieval living tower was demolished. During Hubertus Hoevenaar the castle got its present look. The gatelodge disappeared and became living quarters, a side building (where the terrace is now situated) disappeared and the sidewing was raised. A coat of arms that is fastened to the facade reminds us of Hubertus Hoevenaar. His daughter Arnaudina married baron Van Tuyll van Serooskerken. They lived in the castle permently from 1912. Two generations supplied councillors to the corporation of the municipality, which stresses the ties between Geldrop and its castle (from 1921 to 1938 and from 1945 to 1953).
Today the Geldrop castle is used for weddings, concerts and exhibitions. In the attic there is a small museum where lots of material is exhibited, given by the Geldrop people in the last 40 years.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.