St. Catherine's Church, Golub-Dobrzyń, Poland

The Gothic church of St. Catherine was built in the beginning of the 14th century. It has a Renaissance chapel of the Kostka family.

Religious sites in Poland

User Reviews

Róża Kobieta (13 months ago)
The church dates back to the turn of the century, built in brick in the Gothic style. The equipment of the church comes from the Baroque period, although there are Gothic, Renaissance and Neo-Gothic elements. Over the centuries, the temple was destroyed by fire and robbed of the equipment by invaders and rebuilt. The church received its current shape in the nineteenth century.

Rafał (14 months ago)
Nice nineteenth-century church. Beautiful frescoes on the ceiling (renovated) and on the walls (waiting for refreshment). An interesting fact is the cross on the altar from the Castle in Golub (i.e. from another parish, currently another diocese and sometime from another country

Martin Assen (2 years ago)
Beautiful place

Halina Kołodziejska (2 years ago)
I am a believer, I consider my stay obligatory. Mass was carefully celebrated, I am in church every week.

Rafał (2 years ago)
Kościół stosunkowo młody (pierwsza połowa XIX wieku), ale wart obejrzenia i zwiedzania. Ciekawostką jest krzyż drewniany na ołtarzu, który trafił tu... z golubskiego Zamku, czyli terenu innej diecezji - w Golubiu-Dobrzyniu parafia dobrzyńska należy do diecezji płockiej, golubska do diecezji toruńskiej a położona 4 km dalej parafia w Nowogrodzie do... diecezji włocławskiej - taki kulturowy tygiel ;)

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Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

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