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The Grand Kremlin Palace was built from 1837 to 1849 on the site of the estate of the Grand Princes, which had been established in the 14th century on Borovitsky Hill. Designed by a team of architects under the management of Konstantin Thon, it was intended to emphasise the greatness of Russian autocracy. Konstantin Thon was also the architect of the Kremlin Armoury and the Cathedral of Christ the Savior.
The Grand Kremlin Palace was formerly the tsar's Moscow residence. Its construction involved the demolition of the previous Baroque palace on the site, designed by Rastrelli, and the Church of St. John the Baptist, constructed to a design by Aloisio the New in place of the first church ever built in Moscow.
Thon's palace is 125 metres long, 47 metres high, and has a total area of about 25,000 square metres. It includes the earlier Terem Palace, nine churches from the 14th, 16th, and 17th centuries, the Holy Vestibule, and over 700 rooms. The buildings of the Palace form a rectangle with an inner courtyard. The building appears to be three stories, but is actually two. The upper floor has two sets of windows. The west building of the Palace held state reception halls and the imperial family's private chambers.
Its five reception halls are named for orders of the Russian Empire. Georgievsky Hall is used today for state and diplomatic receptions and official ceremonies. International treaties are signed at the Vladimirsky Hall. Such as the instance on June 1, 1988, U.S. President Ronald Reagan and Soviet General Secretary Mikhail Gorbachev signed the INF Treaty ratification. It also leads to the Palace of Facets, the Tsarina's Golden Chamber, Terem Palace, the Winter Palace, and the Palace of Congresses. Aleksandrovsky Hall and Andreyevsky Hall were combined in Soviet times to be used for meetings and conferences of the Supreme Soviet of the USSR; they were lavishly restored in accordance with Thon's designs in the 1990s.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.