Although the first written mention of the Zniev or Turiec Castle (castrum Turuc) is from 1243, archaeological excavations prove the existence of a fortified settlement as early as the 11th – 12th century. According to a document issued in 1253 by King Bela IV the castle was refortified by Ondrej Forgáč, who apart from other loyal deeds managed to save king´s life after the defeat of the royal army by the Tartars near the river Slaná, when he gave a very fast horse to the king to escape.
That is why the legend says the Zniev castle gave refuge to Bela IV from the Tartars. Forgáč had the castle reconstructed and had a new habitable tower called 'Forgač´s tower' built in 1241-1242 in the distance of 250 metres from the castle. In January 1243 the King and the royal family paid visit to the castle. The castle was a seat of the Turiec region form the middle of the 13th century till approx. 1339 when the Turiec County became separated from the Zvolen County and the task of its administrative centre was passed to the Sklabiňa Castle because of its better strategic position. In 1312-1321 the Zniev castle was owned by the powerful noble Matúš Čák of Trenčín.
The castle, however, gradually lost its importance, changed its name from Turiec to Zniev and became the property of the Premonstratesians. In the following period it constantly passed through various owners until it was in 1532 forcefully seized by the royal army after it had fallen, thanks to a betrayal, into the possession of the Kostka family fighting on the side of Ján Zápoľský. At the beginning of the 18th century an archive was kept there.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.