Gottorf Castle is the ancestral home of the Holstein-Gottorp branch of the House of Oldenburg. It was first settled as an estate in 1161 as the residence of Bishop Occo of Schleswig when his former residence was destroyed. The Danish Duke of Schleswig acquired it through a purchase in 1268, and in 1340 it was transferred to the Count of Holstein at Rendsburg of the House of Schauenburg. The manor later, through maternal inheritance, became the possession of Christian I of Denmark, the first Danish monarch from the House of Oldenburg, in 1459.
Both the island and the structure were extended through the years, and particularly during the 16th century. Frederick I, younger son of Christian I, made it his primary residence. In 1544 the duchies of Schleswig and Holstein were divided in three parts; Frederick's third son Adolf received one of these parts and made his residence at Gottorp. This state became known as the Duchy of Schleswig-Holstein-Gottorp.
The estate became a European cultural centre in the reign of Frederick III, Duke of Holstein-Gottorp, (1597–1659). The castle was built by the famous Swedish architect Nicodemus Tessin the Younger (1697-1703).
After the ducal lineage of Gottorp were forced to move out in 1702, the palace, now occupied by the Danish, fell into disuse and disrepair in 1713 under the reign of Frederick IV of Denmark. Pieces of furniture, art and other interior were gradually moved out of the palace, and the structures were used both as Danish and Prussian barracks in the 19th century.
During World War II, the estate was used as a displaced persons camp.
Since 1947, the palace has been renovated and restored through a series of efforts. The restoration was considered complete in 1996. The palace is now owned by a foundation of the State of Schleswig-Holstein and houses the State Art and Cultural History Museum and the State Archeological Museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.