Burroughston Broch is an Iron Age structure located on the island of Shapinsay. Excavated in the mid 19th century, Burroughston Broch is still well-preserved. The drystone walls are up to four metres thick in some parts and there is a complete chamber intact off the entrance passage. Some remains of stone fittings are evident in the interior.
The walls of Burroughston Broch have an external diameter of around 18 metres, and an internal diameter of around 10 metres. From the outside, the building appears as a grassy mound, and little of the outer wall is exposed.
The entrance passage is on the east side, and is about 4 metres long, 1.2 metres wide and 1.8 metres high. There is an elongated guard room opening from the left side of the passage. Inside the broch, the outer face of the upper gallery is still visible, and traces of an opening to the upper gallery are still apparent. A deep well is present in the broch floor: the upper part being dry stone masonry, the lower being cut into the rock.
In the sloping area in front of the broch entrance are traces of 'out-buildings' now covered with turf. A wall, ditch and rampart, which probably once encircled the broch, are still evident around the structure.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.