Midhowe Broch is an iron-age structure situated on a narrow promontory between two steep-sided creeks, on the north side of Eynhallow Sound. The broch is part of an ancient settlement, part of which has been lost to coastal erosion. The broch got its name from the fact that it's the middle of three similar structures that lie grouped within 500 metres of each other and Howe from the Old Norse word haugr meaning mound or barrow.
The broch tower has an internal diameter of 9 metres within a wall 4.5 metres thick, which still stands to a height of over 4 metres. The broch interior is crowded with stone partitions, and there is a spring-fed water tank in the floor and a hearth with sockets which may have held a roasting spit.
The broch is surrounded by the remains of other lesser buildings, and a narrow entrance provides access into the defended settlement. The other buildings seem to have been built as adjacent houses, but later in the site’s history they were used as workshops, and one of these buildings still retains its iron-smelting hearth.
A short distance to the southeast is a large Neolithic chambered cairn known as Midhowe Chambered Cairn.
The broch and attendant buildings were excavated between 1930 and 1933 and then taken under guardianship. The excavations recovered stone and bone tools associated with grain-processing, spinning and weaving. Also found were pieces from crucibles and moulds associated with bronze-working. Also discovered was a fragment from a Roman bronze vessel.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.