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The Lady Kirk at Pierowall is one of two ruined churches on the island of Westray. It was built in 1674, on the foundations of the 13th-century church.
The church is mostly complete with the exception of the roof. Many of the walls stand to a high height, but some of it is 17th century built on the foundations of an earlier church. The south wall of the nave is largely from the original church. The nave altogether is rectangular, with a largely complete gable at its west end, topped off by a bellcote. A line of holes in the gable suggest there was originally a gallery at this end. The east end of the 1674 church formed a laird's aisle, erected on the site of the 13th-century chancel. The laird's aisle and the nave are separated by an arch that may have copied (or perhaps even reused parts of) the earlier chancel arch.
There are many different tomb stones in the church and its graveyard, many with clear inscriptions. One example, located within the laird's aisle is a memorial in red marble to The memory of James Stewart of Bruce, the munificent donor of the Stewart Endowment, died 25 June 1858. Nearby, in a transparent case to protect it from the elements is the large pink graveslab of Michael Balfour and others, dating back to 1657 and beautifully engraved. Next to it is another graveslab, of Helen Alexander, who died in 1676.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.