Esterháza is a palace built by Prince Nikolaus Esterházy. Sometimes called the 'Hungarian Versailles', it is Hungary's grandest Rococo edifice. Esterházy began his plans for a new palace not long after he became reigning prince in 1762 on the death of his brother Paul Anton. Before this time, Nikolaus was accustomed to spending much of his time at a hunting lodge called Süttör, built in the same location around 1720 with a design by Anton Erhard Martinelli. The hunting lodge was the nucleus around which Esterháza was built.
The first architect to work on the project was Johann Ferdinand Mödlhammer, succeeded in 1765 by Melchior Hefele. While the palace is often compared to Versailles, which the Prince had visited in 1764 when he visited Paris, H. C. Robbins Landon claims that a more direct influence can be found in 'Austrian prototypes, particularly Schönbrunn palace in Vienna.'
Eszterháza was first inhabited in 1766, but construction continued for many years. The opera house was completed in 1768, the marionette theater in 1773. The fountain in front of the palace was not completed until 1784, at which point the Prince considered his project complete.
Nikolaus Esterházy died in 1790. Neither his son Anton, who inherited the Esterházy lands, nor any of his later successors had any interest in living in the isolated palace.
The palace has 126 rooms. Of particular note is the Banquet Room which has on its ceiling a painting of Apollo in his Chariot. The large library holds almost 22,000 volumes and is graced with the letter 'E', standing for the family surname. The largest room is the grotto-like Sala Terrana which was inspired by the then fashionable Italianate style. On the ceiling are dancing Angels who hold wreaths of flowers in the shape of an 'E'.
From 1766 to 1790, the estate was the home of the celebrated composer Joseph Haydn, where he lived in a four-room flat in a large two-storey building housing servants' quarters, separate from the palace. Haydn wrote the majority of his symphonies for the Prince's orchestra. Eszterháza also had two opera houses, the main theatre seating 400 (destroyed by fire in 1779) and a marionette theatre; Haydn conducted his own and others' operas, often with more than a hundred performances per year.
The palace was geographically isolated, a factor which led to loneliness and tedium among the musicians. This is seen in some of Haydn's letters, as well as in the famous tale of the Farewell Symphony.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.