Hohenzollern Castle is the ancestral seat of the imperial House of Hohenzollern. A popular tourist destination, Hohenzollern castle has over 300,000 visitors per year, making it one of the most visited castles in Germany. The castle sits atop the 855 meters Berg Hohenzollern, an isolated 855 m promontory on the western side of the Swabian Alps.
The first fortress on the mountain was constructed in the early 11th century. Over the years the House of Hohenzollern split several times, but the castle remained in the Swabian branch, the dynastic seniors of the Franconian-Brandenburgian cadet branch that later acquired its own imperial throne. This castle was completely destroyed in 1423 after a ten-month siege by the free imperial cities of Swabia. A larger and sturdier structure was constructed from 1454 to 1461, which served as a refuge for the Catholic Swabian Hohenzollerns, including during the Thirty Years' War. By the end of the 18th century it was thought to have lost its strategic importance and gradually fell into disrepair, leading to the demolition of several dilapidated buildings. Today, only the medieval chapel remains.
The final castle was built between 1846 and 1867 as a family memorial by Hohenzollern scion King Frederick William IV of Prussia. Architect Friedrich August Stüler based his design on English Gothic Revival architecture and the Châteaux of the Loire Valley. No member of the Hohenzollern family was in permanent or regular residence when it was completed, and none the three Deutsche Kaiser of the late 19th and early 20th century German Empire ever occupied the castle; in 1945 it briefly became the home of the former Crown Prince Wilhelm of Germany, son of the last Hohenzollern monarch, Kaiser Wilhelm II.
Since 1952, the castle has been filled with art and historical artifacts from the collections of the Hohenzollern family and the former Hohenzollern Museum in Schloss Monbijou. Among the historical artifacts of Prussian history contained in the castle are the Crown of Wilhelm II, some of the personal effects of King Frederick the Great, and a letter from US President George Washington thanking Hohenzollern descendant Baron von Steuben for his service in the American Revolutionary War. From 1952 until 1991 the caskets of Frederick Wilhelm I and Frederick the Great were in the chapel, but were moved back to Potsdam following German reunification in 1991.
The castle is still privately owned, with two-thirds belonging to the Brandenburg-Prussian family line.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.