The Abbey of Saint Pancras of Backnang was founded before 1116 by Herman I, Margrave of Baden, and his wife, Countess Judith of Backnang-Sulichgau. Pope Paschal I confirmed the foundation in 1116. As early as 1123, though, the monastery had to be revived by their son, Margrave Herman II, with the help of canons from Marbach Abbey in Alsace.
Between 1123 and 1243 the abbey was the burial place of the Zähringen Margraves of Baden, a connection which brought much influence and prosperity.
Backnang's geographical position exposed it, from the 13th century onwards, to attack by the Counts of Württemberg, and for this reason in 1243 Margravine Irmengard transferred the remains of her husband Hermann V of Baden to her foundation of Lichtenthal Abbey in the town of Baden-Baden.
In 1297 possession of Backnang passed to Württemberg. In 1366 Count Eberhard II of Württemberg succeeded in gaining control of the abbey's finances. In 1477 it was changed into a secular collegiate chapter, with the approval of Pope Sixtus IV.
In 1535, as part of the Protestant Reformation, the community was dissolved. The canons of Backnang, however, by making a complaint to Emperor Charles V, obtained permission to reoccupy it, which they did in 1551. The last of them died in 1593, when the house was finally suppressed.
The abbey church still stands in Backnang.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.