Ludwigsburg Palace

Ludwigsburg, Germany

Ludwigsburg Palace is one of the largest Baroque palaces in Germany and features an enormous garden in that style. From the 18th century to 1918 it was the principal royal palace of the dukedom that became in 1806 the Kingdom of Württemberg.

The foundation stone was laid on May 17, 1704 under Duke Eberhard Ludwig of Württemberg (reigning monarch from 1693 to 1733). Begun as a hunting lodge, the project became much more complex and gained momentum over the years.

On August 17, 1709, the duke established the city of Ludwigsburg directly next to his palace, copying the proximity of Versailles to Paris. Previously, the royal palace was the cramped and outdated Old Castle (Altes Schloss) in the heart of Stuttgart. In 1718, Ludwigsburg temporarily became capital and sole residence of the dukes of Württemberg.

In 1733, when construction was complete, the baroque style prevailed in Germany. Eventually, successors of Eberhard Ludwig modified the original design of the palace, especially, Duke Charles Eugene of Württemberg and King Frederick I of Württemberg.

In the 1740s a New Palace was built in Stuttgart, and it was favoured by some of the dukes and kings of Württemberg as their primary residence, but Ludwigsburg remained in use as well. However, under King William I of Württemberg (reigned 1816-84), the palace and especially the gardens gradually decayed because the monarch, in contrast to his predecessors, showed no interest in Ludwigsburg.

Ludwigsburg Palace was not destroyed during World War II, so a renaissance of the complex could start in the mid-20th century. The continuous garden show 'Baroque in Bloom' (Blühendes Barock), that attracts hundreds of thousands of visitors each year, opened in 1953. Today, the palace and its surrounding gardens are presented to the public in a state similar to their appearance around 1800.

The palace theatre (Europe's oldest preserved theatre) and its stage machinery from 1758 are still operational.

Ludwigsburg Palace today contains three museums, Baroque Gallery, Porcelain Museum and Baroque Fashion Museum.

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User Reviews

ranjit kumar (20 months ago)
Looks very beautiful especially during winters.. You need to get an entry fee. Entry fee with guide will be good to know the Palace history.
Paul O'Connor (20 months ago)
An absolute, marvelous, and must see piece of German history. Not too mention probably French and European history, after-all, Napoleon Bonaparte did stay here on his way to fight the Russians. It is extremely well kept grounds. There are two types of tours: German speaking and English speaking. Either way, the guides walk you through an amazing historic journey. What I love about this building is it originality, everything inside is original and largely untouched. You have to see it.
Kali Smith (20 months ago)
Beautiful place to visit, and enough to keep you occupied for hours!! We did the tour of the castle in English, and while it was hard to understand (the guide had a thick German accent), seeing the inside was unforgettable and worthwhile! Highly recommend.
Philip Luoma (20 months ago)
Great place to visit and see the baroque architecture. I only went here a few times and most of the visits were to see the annual pumpkin festival. I love how they have a theme each year and it is all about the pumpkin (kurbis)! It is a must see if you are there during that time but is also a great visit anytime!
Andik Hidayat (2 years ago)
A huge castle with a beautiful view that will take your breath away. This castle is also known as Versailles of Swabia. It is a 452-room palace complex of 18 buildings with a mind-blowing garden. I visited the castle when there was Ludwigsburg Pumpkin Festival which is held every year. This world's largest pumpkin festival has attracted visitors from all around the world to gape at a whopping showcase of pumpkins and indulge in amazing pumpkin-related festivities. Amazing castle!!!
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Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.

When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.

In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.

The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.

The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.