St. Martin's Church in Biberach was built in 1337-1366 and served as the parish church of Biberach before the Reformation. With the conversion of almost the entire population of the town to Lutheran Protestantism, the church was used for Lutheran services. Then, in 1548 the Holy Roman Emperor Charles V ordered that Catholic services be resumed. The solution was to divide the church, with Catholic services held in the former choir and Lutheran services in the larger nave. The arrangement was made permanent by the Peace of Augsburg.
For centuries, the two denominations' use of the church was regulated by the time of day. Catholics used the church from 5am to 6am, Lutherans from 6 to 8, Catholics again from 8 to 11, Lutherans from 11 to 12, and so on through the day. Catholics could use all parts of the church during their hours, although there were too few in Biberach to fill the church, while Lutherans were restricted to the nave except during the Lord's Supper when they were allowed to use the choir. The tower bells were rung by each denomination in turn.
During times of religious strife, the sharing of the church became tense. in 1638, during the Thirty Years War, someone blew his nose into the Catholic vessel containing Holy water. The Catholics retaliated by locking the door to the choir, making it impossible for the Protestants to follow their usual custom of having the Lutheran pastor celebrate Holy Communion while standing in the choir. The next year, a Catholic rang the bells to disrupt the wedding of a prominent Lutheran couple underway in the nave. A crowd gathered and a riot ensued large enough to be investigated by an imperial commission, which resolved issues surrounding shared use of the church.
The interior was remodeled and decorated in baroque style in 1746. The richly carved, gothic, early 16th century choir stalls were preserved when most of the interior decorations were removed during the iconoclasm of the Reformation.
The ceiling frescoes were created during the renovation by Johannes Zick, who included a self-portrait. The frescoes in the Lutheran area, the nave, depict the life of Jesus, the wise men and shepherds at the Nativity, the circumcision, Jesus among the scribes, and the events of Easter and Pentecost. The frescoes in the Catholic area, or choir, are of the Roman Catholic theme of the Church triumphant, they depict the Evangelists, the Fathers of the Church,the Archangel Michael, and the Virgin Mary being crowned with the Papal Tiara by angels.
Between the Catholic choir area and the Protestant nave is a large clock, with two faces, one visible from each part of the shared church.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.