Just a short, enchanting stroll away from Augustusburg Palace in Brühl, Falkenlust is located on the edge of a secluded grove as the favourite hunting lodge of the Cologne elector and Archbishop Clemens August (1700-1761).
One of the most intimate and precious creations of German Rococo was built in a few short years (1729-1737) according to the plans of François de Cuvilliés, court architect of the Bavarian elector. The construction site was selected in accordance with the flight path of the herons, the favourite prey in falconry. En route from their breeding grounds in the Palace Garden at Brühl to their fishing grounds on the Rhine near Wesseling, the herons were captured by the avid falconer Clemens August and his hunting parties.
Once the hunt was finished, the court would meet for dinner and entertainment in the lavishly appointed rooms of the hunting lodge Falkenlust. Characteristic of the perfectly preserved rooms are the sumptuously fashioned cabinets, already admired by the young Mozart in 1763.
In 1730 the construction of a chapel dedicated to Saint Mary of Egypt began in the immediate neighbourhood of the hunting lodge, which Pierre Laporterie fashioned as a much-admired grotto-style hermitage.
Since 1974, the state of North Rhine-Westphalia maintains the Hunting Lodge Falkenlust for the public as a museum. An exhibition in the auxiliary buildings portrays the art of falconry and displays the falconers’ life and workplace.
UNESCO honoured history and present of the Hunting Lodge Falkenlust by inscribing it together with Augustusburg Palace and their gardens and parks on the World Heritage List in 1984.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.