Cologne Cathedral (Kölner Dom) is a renowned monument of German Catholicism and Gothic architecture and is a UNESCO World Heritage Site. It is Germany"s most visited landmark, attracting an average of 20,000 people a day.
Begun in 1248, the building of this Gothic masterpiece took place in several stages and was not completed until 1880. Over seven centuries, its successive builders were inspired by the same faith and by a spirit of absolute fidelity to the original plans. Apart from its exceptional intrinsic value and the artistic masterpieces it contains, Cologne Cathedral bears witness to the strength and endurance of European Christianity. No other Cathedral is so perfectly conceived, so uniformly and uncompromisingly executed in all its parts.
Cologne Cathedral is a High Gothic five-aisled basilica, with a projecting transept and a tower façade. The nave is 43.58 m high and the side-aisles 19.80 m. The western section, nave and transept begun in 1330, changes in style, but this is not perceptible in the overall building. The 19th century work follows the medieval forms and techniques faithfully, as can be seen by comparing it with the original medieval plan on parchment.
The original liturgical appointments of the choir are still extant to a considerable degree. These include the high altar with an enormous monolithic slab of black limestone, believed to be the largest in any Christian church, the carved oak choir stalls (1308-11), the painted choir screens (1332-40), the fourteen statues on the pillars in the choir (c. 1300), and the great cycle of stained-glass windows, the largest existent cycle of early 14th century windows in Europe. There is also an outstanding series of tombs of twelve archbishops between 976 and 1612.
Of the many works of art in the Cathedral, special mention should be made to the Gero Crucifix of the late 10th century, in the Chapel of the Holy Cross, which was transferred from the pre-Romanesque predecessor of the present Cathedral, and the Shrine of the Magi (1180-1225), in the choir, which is the largest reliquary shrine in Europe. Other artistic masterpieces are the altarpiece of St. Clare (c. 1350-1400) in the north aisle, brought here in 1811 from the destroyed cloister church of the Franciscan nuns, the altarpiece of the City Patrons by Stephan Lochner (c. 1445) in the Chapel of Our Lady, and the altarpiece of St. Agilolphus (c. 1520) in the south transept.References:
The settlement of Trepucó is one of the largest on Menorca, covering an area of around 49,240 square metres. Today, only a small part of the site can still be seen, the two oldest buildings, the talaiots (1000-700 BCE). Other remains include parts of the wall, two square towers on the west wall, the taula enclosure and traces of dwellings from the post-Talayotic period (650-123 BCE).The taula enclosure is one of the biggest on the island, despite having been subjected to what, by today’s standards, would be considered clumsy restoration work. This is one of the sites excavated around 1930 by Margaret Murray, a British archaeologist who was a pioneer of scientific research on Prehistoric Menorca.
The houses are perfectly visible on the west side of the settlement, due to excavation work carried out several years ago. They are multi-lobed with a central patio area and several rooms arranged around the outside. Looking at the settlement, it is easy to see that there was a clear division between the communal area (between the large talaiot and the taula) and the domestic area.The houses near the smaller talaiot seem to have been abandoned at short notice, meaning that the archaeological dig uncovered exceptionally well-preserved domestic implements, now on display in the Museum of Menorca.The larger talayot and the taula stand at the centre of a star-shaped fortification built during the 18th century.