The Roman-Germanic Museum (Römisch-Germanisches Museum) has a large collection of Roman artifacts from the Roman settlement of Colonia Claudia Ara Agrippinensium, on which modern Cologne is built. The museum protects the original site of a Roman town villa, from which a large Dionysus mosaic remains in its original place in the basement, and the related Roman Road just outside. In this respect the museum is an archaeological site.
The Römisch-Germanisches Museum is near the Cologne Cathedral on the site of a 3rd-century villa. The villa was discovered in 1941 during the construction of an air-raid shelter. On the floor of the main room of the villa is the renowned Dionysus mosaic. Since the mosaic could not be moved easily, the architects Klaus Renner and Heinz Röcke designed the museum around the mosaic. The inner courtyards of the museum mimic the layout of the ancient villa.
In addition to the Dionysus mosaic, which dates from around A.D. 220/230, there is the reconstructed sepulcher of legionary Poblicius (about A.D. 40). There is also an extensive collection of Roman glassware as well as an array of Roman and medieval jewellery. Many artifacts of everyday life in Roman Cologne are displayed, ncluding portraits (e.g., of Roman emperor Augustus and his wife Livia Drusilla), inscriptions, pottery, and architectural fragments.
The museum has the world's largest collection of locally produced glass from the Roman period.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.