Erbach Castle is a patrician Renaissance castle which origins date back to the 12th century. The purpose of the castle was to secure and safeguard the important crossing over the river Danube. The keep was built during the reign of the House of Hohenstaufen and explicitly mentioned in a document from 1384. The Gothic spire was added at the end of the 15th century. The original modest Romanesque castle was extended in the 16th century into a renaissance palace. In 1525 during the German Peasants' War the castle was damaged by revolting farmers of the Baltringer Haufen.
Hans von Paumgarten, a patrician from Augsburg, was enfeoffed with Erbach Castle in 1534. His heir, Hans Georg von Paumgarten, started works to rebuild the castle on a large scale in 1550: two wings alongside each other on top of large vaulted basement rooms, three storeys high with four more levels under the roofs. The works were completed in 1555, ruining Hans Georg von Paumgarten.
In 1612 Hans Ludwig of Ulm became lord of Erbach. During the Thirty Years' War Bernard of Saxe-Weimar, one of the foremost Protestant generals, resided at Erbach Castle in 1633. Following a prolonged period of occupation by Swedish troops, the castle was left in an uninhabitable state. After the Thirty Years' War a pleasure garden, non-existent today, was added to the castle. The last substantial alterations to the castle were carried out in the first half of the 18th century. In 1902 the castle was decorated in neo-baroque style.
Erbach Castle was inspired by the architectural style employed by patricians of the larger cities, evidence for which are crow-stepped gables and the gabled roofs. Entrance to the castle is via a drawbridge, followed by a gate. The castle courtyard is surrounded by mews and outbuildings. In the courtyard there is a hand-drawn water well. The Baroque castle chapel is situated at the end of the main hall.
The so-called Renaissance Room was altered in 1884 for the last time; other rooms worth mentioning are the Small Smoking room, the Maria-Theresia-Drawing room, the Brown Drawing room, the Red Drawing room and the Clerical Drawing room.
Erbach Castle is still in private hands, owned by the barons of Ulm-Erbach who also run the castle museum. Parts of the castle are used as a restaurant while the basement houses a theatre.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.