Château de Fleckenstein was built on a sandstone summit in the Middle Ages. The first record of the castle dates from 1165. It is named after the Fleckenstein family, owners until 1720 when it passed to the Vitzthum d'Egersberg family. In 1807, it passed to J-L Apffel and in 1812 to General Harty, baron of Pierrebourg. In 1919, it became the property of the French state.
The rock and the castle have been modified and modernised many times. Of the Romanesque castle, remains include steps cut into the length of the rock, troglodyte rooms and a cistern. The lower part of the well tower dates from the 13th or 14th century, the rest from the 15th and 16th. The inner door in the lower courtyard carries the faded inscription 1407 (or 1423); the outer door 1429 (or 1428). The stairwell tower is decorated with the arms of Friedrich von Fleckenstein (died 1559) and those of his second wife, Catherine von Cronberg (married 1537).
The 16th-century castle, modernised between 1541 and 1570, was shared between the two branches of the Fleckenstein family. Documents from the 16th century describe the castle and a watercolour copy of a 1562 tapestry shows its appearance in this period. Towards the end of the 17th-century Fleckenstein was captured twice by French troops. In 1674 the capture was achieved by forces under Marshall Vauban, who encountered no resistance from the defenders. The castle was nevertheless completely destroyed in 1689 by General Melac. Major restoration work was carried out after 1870, around 1908 and again since 1958.
The castle is located between Lembach to the south and Hirschtal to the north, only about 200 meters to the southeast of the present French frontier with Germany, at a height of about 370 meters above mean sea level. The castle, is accessible by road or via hiking trails.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.