Craigmillar is one of Scotland’s most perfectly preserved castles. It began as a simple tower-house residence. Gradually, over time, it developed into a complex of structures and spaces, as subsequent owners attempted to improve its comfort and amenity. As a result, there are many nooks and crannies to explore.
The surrounding gardens and parkland were also important. The present-day Craigmillar Castle Park has fascinating reminders of the castle’s days as a rural retreat on the edge of Scotland’s capital city.
At the core lies the original, late-14th-century tower house, among the first of this form of castle built in Scotland. It stands 17m high to the battlements, has walls almost 3m thick, and holds a warren of rooms, including a fine great hall on the first floor.
‘Queen Mary’s Room’, also on the first floor, is where Mary is said to have slept when staying at Craigmillar. However, it is more likely she occupied a multi-roomed apartment elsewhere in the courtyard, probably in the east range.
Sir Simon Preston was a loyal supporter of Queen Mary, whom she appointed as Provost of Edinburgh. In this capacity, he was her host for her first night as a prisoner, at his townhouse in the High Street, on 15 June 1567. She was taken to Lochleven Castle the following day.
The west range was rebuilt after 1660 as a family residence for the Gilmour family.
The 15th-century courtyard wall is well preserved, complete with gunholes shaped like inverted keyholes. Ancillary buildings lie within it, including a private family chapel.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.