Ardvreck Castle is thought to have been constructed around 1590 by the Clan MacLeod family who owned Assynt and the surrounding area from the 13th century onwards. Clan MacKenzie attacked and captured Ardvreck Castle in 1672, and then took control of the Assynt lands. In 1726 they constructed a more modern manor house nearby, Calda House, which takes its name from the Calda burn beside which it stands. A fire destroyed the house under mysterious circumstances one night in 1737 and both Calda House and Ardvreck Castle stand as ruins today.
Ardvreck Castle was a rectangular-shaped keep comprising three storeys. Under the castle the vaulted basement is pierced by gunloops and the round stair turret is corbelled out to support a square caphouse. Despite the small size of the ruined tower, Ardvreck was originally a large and imposing structure and it is thought that the castle included a walled garden and formal courtyard. The remains of the foundations can still be seen and cover a large area. Unfortunately, all that remains today is a tower and part of a defensive wall. When the waters of the loch rise very high, the peninsula on which the castle stands can be cut off from the mainland.
The castle is said to be haunted by two ghosts, one a tall man dressed in grey who is supposed to be related to the betrayal of Montrose and may even be Montrose himself. The second ghost is that of a young girl. The story tells that the MacLeods procured the help of Clootie (a Scottish name for the Devil, deriving from 'cloot', meaning one division of a cleft hoof) to build the castle and in return the daughter of one of the MacLeod chieftains was betrothed to him as payment. In despair of her situation, the girl threw herself from one of the towers and was killed.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.